[11] JamesRobertHightower，TopicsinChineseLiterature：OutlinesandBibliographies，p.46.

[12] Kang-iSunChang，“ChineseLyricCriticismintheSixDynasties”，TheoriesoftheArtsinChina，p.215.

[13] Kang-iSunChang，“ChineseLyricCriticismintheSixDynasties”，TheoriesoftheArtsinChina，p.216.

[14] Kang-iSunChang，“ChineseLyricCriticismintheSixDynasties”，TheoriesoftheArtsinChina，p.218.

[15] Kang-iSunChang，“ChineseLyricCriticismintheSixDynasties”，TheoriesoftheArtsinChina，p.218.

[16] Kang-iSunChang，“ChineseLyricCriticismintheSixDynasties”，TheoriesoftheArtsinChina，p.221.

[17] Kang-iSunChang，“ChineseLyricCriticismintheSixDynasties”，TheoriesoftheArtsinChina，p.222.

[18] RonaldMiaoClendinen，“LiteraryCriticismattheEndoftheEasternHan”，Literature：East & West，Vol.16，No.3，1972，p.1014.

[19] RonaldMiaoClendinen，“LiteraryCriticismattheEndoftheEasternHan”，Literature：East & West，Vol.16，No.3，1972，p.1028.

[20] ［美］刘若愚：《中国文学理论》，103页。

[21] ［美］刘若愚：《中国文学理论》，104页。

[22] 参见［美］刘若愚：《中国文学理论》，105页。

[23] 参见RonaldEgan，“NatureandHigherIdealsinTextonCalligraphy，Music，andPainting”，Zong-qiCai（ed.），ChineseAesthetics：theOrderingofLiterature，theArts，andtheUniverseintheSixDynasties，Honolulu，UniversityofHawai‘iPress，2004，p.291.

[24] 参见RonaldEgan，“NatureandHigherIdealsinTextonCalligraphy，Music，andPainting”，ChineseAesthetics：theOrderingofLiterature，theArts，andtheUniverseintheSixDynasties，p.294.

[25] RonaldEgan，“NatureandHigherIdealsinTextonCalligraphy，Music，andPainting”，ChineseAesthetics：theOrderingofLiterature，theArts，andtheUniverseintheSixDynasties，p.296.